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    Re: sextant calibration
    From: George Huxtable
    Date: 2006 May 15, 08:00 +0100

    Red has written, about the zeroing gimmick sold with Plath sextants-
    
    | But failing to use the device, which can and often will eliminate
    one potential
    | source of math error from your reductions, makes absolutely no sense
    at all. It
    | would be what I call "belligerent ignorance", taking pride in NOT
    obtaining or
    | using the information and resources that in this case are literally
    at your
    | fingertips.
    
    Red can call it what he wishes. He seems determined to pick an
    argument, where none really exists. That's all right. I've done the
    same myself, many a time, though it's an urge than nowadays I do my
    best to control; not always with success.
    
    If Red distrusts his own arithmetic, to the extent that he lacks
    confidence in adding or subtracting the odd minute, or fraction
    thereof, in his head or on paper, then he may have a special problem.
    He is welcome to use that gimmick to avoid it, and I have not said
    anything contrary, if he reads what I actually wrote. But if his
    arithmetic is that untrustworthy, he is going to have difficulty at
    the next step, correcting for dip, refraction, semidiameter.
    
    On a slightly different matter, something else Red has said worries me
    somewhat.
    
    He wrote-|
    | While you've got a sextant in your hands for the first time, and
    presumably you
    | are taking the time to check it for errors and adjust them out...
    
    and in an earlier message-
    "But it is something that a
    user certainly would do the first time they got the sextant, and were
    trying to
    set up a baseline of adjustments on it, including the mirror
    positions."
    
    Well, that might be a reasonable attitude if a sextant arrives
    secondhand, with an unknown history from another owner. But I get the
    picture, rightly or wrongly, that if a sextant arrives new from its
    maker, properly packed in its undamaged box, Red is itching to get out
    the adjusting tool and tweak whatever he can get at. Such an
    instrument has presumably been adjusted at the factory, at least as
    well as it ever will be thereafter. What on earth does "set up a
    baseline of adjustments" mean?
    
    Red is perfectly welcome to tweak it as he wishes; it's his sextant,
    after all. A better policy, in such circumstances with a new
    instrument, might be to carefully check over all the relevant points
    (perpendicularity, side error, collimation), but most users would then
    be better advised to keep their hands off the adjustments, unless a
    serious error shows up. And if it does, in those circumstances, I
    would expect the maker to want to know about it.
    
    Yes, all sorts of adjustments are provided, to allow for correction
    for any events that occur in a sextant's life. And the maker properly
    provides an explanation of how to check the sextant and make those
    adjustments, if and when they become necessary. But that is not an
    invitation to get twiddling straight away, even if the new owner is a
    chap who enjoys doing so.
    
    Judging entirely by what he has written, Red appears to put himself
    into the category of a "sextant-worrier". Novice owners would be
    well-advised not to follow that path. I would be rather careful, about
    any instrument that has been in his possession.
    
    George
    
    contact George Huxtable at george@huxtable.u-net.com
    or at +44 1865 820222 (from UK, 01865 820222)
    or at 1 Sandy Lane, Southmoor, Abingdon, Oxon OX13 5HX, UK.
    
    
    

       
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